Courtesy of Louboutin (the most challenging part of the demat was to create transparent readers)

Courtesy of Louboutin (the most challenging part of the demat was to keep the model technically light with not a big file size)

Courtesy of Louboutin (the most challenging part of the demat was to combine a lot of different shaders in one shoe)

Courtesy of Louboutin (the most challenging part of the demat was to create reflections of the gems)

Courtesy of Louboutin (the most challenging part of the demat was to create a softness of the metallic part)

Courtesy of Louboutin (the most challenging part of the demat was to create a transparent fabric effect)

Courtesy of Louboutin (the most challenging part of the demat was to create a multi-color reflection shader)

Courtesy of Louboutin

Courtesy of Louboutin

IRINA RAZUMOVSKAYA, “MIST”, 2018, PORCELAIN, PIGMENTS, CONCRETE

MATTEO PAGANI, I WOULD LIKE TO BE A PRINCESS, 2019, OIL ON CANVAS, 90X90 CM (Galleria Rubin)

FLAVIO LUCCHINI’S SCULPTURE